100 Keyboards JP

ASUNA

HypnoticHypnoticImmersiveToy keyboard symphony

Saturday

14.02.2026 - 16:00

Opening at 15:30

Genève

Musée d'art et d'histoire

Tickets

CHF 19 to CHF 30

CHF 13 with the festival pass

Past

Asuna breaks the boundaries of sound at Antigel: 100 keyboards for a single sonic vertigo, a total immersion that redefines the concept of live performance.

Asuna Arashi transforms the festival into a sound laboratory with his performance 100 Keyboards. The Japanese musician deploys more than a hundred keyboards, synthesizers, and sound objects to create a universe that is both strange and captivating. Between drones, textures, and unexpected resonances, each note becomes an exploration. An immersive experience where listening is reinvented, not to be missed at Antigel 2026.

In co-production with Musée d'Art et d'Histoire and collaboration with cave12

Playing with the piano?

As a prelude to Asuna Arashi’s performance with her toy pianos, this foray into the Observatoires exhibition, conceived by Geneva-based artist John M Armleder, who brings his work into dialogue with the museum’s collection, invites visitors to discover Christian Marclay’s grand concert piano, which, without being a toy, nevertheless confounds its audience.

Tickets already purchased remain valid for this new date. If this change does not suit you, please let us know by Saturday, February 14 at 12 p.m. at the latest.
We will then offer you an exchange for another event in the 2026 edition or a refund, so that others can enjoy this wonderful performance.
A waiting list will be available on site for those without tickets on Saturday, February 14, starting at 3:30 p.m.

Asuna, aka Naoyuki Arashi, is a Japanese sound artist who has been active since the late 1990s. A pioneer of ambient and lo-fi drone music, he combines reed organs, keyboards, and noise in intimate and radical works. After Each Organ (2002) and Organ Leaf (2003), he continued his explorations with unique live performances, such as the “100 Keyboards” project, and numerous experimental releases that cemented his place on the Japanese experimental scene.

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